Unsettling Femininity: Selections from the Frye Art Museum Collection

September 21, 2019 – August 23, 2020

The tradition of Western painting is organized in part by the unspoken assumption that men actively look and women are objects to be looked at. Unsettling Femininity probes the politics of viewing and questions the ways we habitually look at images of women, through the particular lens of the Frye Art Museum’s collection and the aesthetic preferences of the Museum’s founders, Charles and Emma Frye. The exhibition examines historical conventions of representation and the deeply entrenched beliefs and power structures they reflect—especially concerning gendered expectations around appearance and behavior.

The exhibition focuses primarily on portrayals of white women by German artists from the late nineteenth and early twentieth centuries. The depicted women—from biblical and mythological figures, celebrities and actresses, to members of the lower classes—assume specific postures, gestures, and expressions that highlight the performative nature of gender as specific sets of socially learned and patterned behaviors. Many of the works emphasize traits such as submissiveness, vulnerability, and sexual availability that corresponded to pervasive nineteenth-century cultural attitudes about what constitutes an ideal feminine nature and body. Others deliberately challenged more conservative Christian sensibilities prevalent in cities like Munich by creating confrontational images that eroticized female religious figures. Whether these images associated women with virtue and beauty or danger and sex, they re-inscribed moral boundaries that ultimately upheld the patriarchal status quo.

Many of these female figures strike the contemporary viewer as “unsettling,” their postures or facial expressions seeming to demand a narrative explanation that the painting does not supply. From pairing portraits in ways that highlight the artifice of painting or contrasting constructed ideals of natural femininity against portrayals of seductive performers, the exhibition asks viewers to reconsider the very act of looking, in all of its positive and negative connotations.

Unsettling Femininity: Selections from the Frye Art Museum Collection is organized by the Frye Art Museum and curated by Naomi Hume, Associate Professor of Art History, Seattle University. Generous support is provided by the Frye Foundation.

Franz von Lenbach. Voluptas, 1897. Oil on canvas. 43 3/8 x 34 1/8 in. Founding Collection, Gift of Charles and Emma Frye, 1952.102. Photo: Spike Mafford.

Franz Xaver Winterhalter. Susanna and the Elders, 1866. Oil on canvas. 64 5/8 x 46 5/8 in. Founding Collection, Gift of Charles and Emma Frye, 1952.199. Photo: Spike Mafford.

Gabriel von Max. Soap Bubbles, 1881. Oil on canvas. 42 1/2 x 31 3/4 in. Founding Collection, Gift of Charles and Emma Frye, 1952.111. Photo: Eduardo Calderon.

Franz von Lenbach. Marion Lenbach, ca. 1895. Oil on canvas. 39 3/8 x 29 3/4 in. Founding Collection, Gift of Charles and Emma Frye, 1952.098.

Friedrich August von Kaulbach. Geraldine Farrar, ca. 1905. Oil on paperboard. 16 3/4 x 12 7/8 in. Founding Collection, Gift of Charles and Emma Frye, 1952.077.

Gustav Majer. Stella, 1889. Oil on canvas. 79 x 48 in. Founding Collection, Gift of Charles and Emma Frye, 1952.006. Photo: Richard Nichol.