Makers of the Now: Contemporary Native American and First Nations Artists
Lecture Series with Sonny Assu, Natalie Ball, Nicholas Galanin, Sara Marie Ortiz, and Preston Singletary.
Thursday, August 23, 7 pm: Natalie Ball
Thursday, September 20, 7 pm: Preston Singletary
Thursday, October 18, 7 pm: Sonny Assu
Thursday, November 15, 7 pm: Sara Marie Ortiz
Thursday, December 6, 7 pm: Nicholas Galanin
This series presents five Native American and First Nations artists living and working in the Pacific Northwest and Alaska, highlighting their individual practices and examining the production of knowledge about contemporary indigenous artists. Within the context of an art world that retains anthropological notions about Native American and First Nations art—past and present—the speakers will discuss their processes, collaborations, and the ways in which they are constantly reimagining, adapting, and preserving their traditions in the present as well as for future generations.
About the Presenters
Natalie Ball was born and raised in Portland, Oregon. She holds a Bachelor’s degree with a double major in Ethnic Studies and Art from the University of Oregon. She furthered her education in New Zealand at Massey University where she attained her Master’s degree in Maori Visual Arts. Ball then relocated to her ancestral homelands of Chiloquin, Oregon to raise her three children.
Her installations and performative art have been shown at exhibitions and museums worldwide, including Te Manawa Museum, New Zealand; Out of Sight 2016, Seattle; Portland2016 Biennial; Open Engagement 2016, CA; Portland Art Museum; Nerman Museum, Kansas; IAIA MoCNA, New Mexico; and Hallie Ford Museum of Art, Oregon. Natalie just completed her MFA degree in Painting at the Yale University School of Art.
Preston Singletary is known for forging a relationship between European glass blowing traditions and Northwest Native art. His artworks feature themes of transformation, animal spirits, and shamanism through elegant blown glass forms and mystical sand-carved Tlingit designs. Singletary has studied with Seattle artists including Benjamin Moore and Dante Marioni, as well as Italian glass blowing legends Lino Tagliapietra, Cecco Ongaro, and Pino Signoretto.
Recognized internationally, Singletary’s artworks are included in museum collections such as The British Museum, London; The Museum of Fine Arts, Boston; The Seattle Art Museum; The Corning Museum of Glass, Corning, New York; The Microsoft Art Collection; The Mint Museum of Art and Design, Charlotte, North Carolina; The Heard Museum, Phoenix, Arizona; and The Smithsonian Institution, Washington, DC.
Sonny Assu (Liǥwildaʼx̱w of the Kwakwaka’wakw Nations) was raised in North Delta, British Columbia, over 250 km away from his home ancestral home on Vancouver Island, but it wasn’t until he was eight years old that he discovered his Liǥwildax̱w/Kwakwaka’wakw heritage. Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice.
Assu received his BFA from the Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art in 2011 and was thrice long-listed for the Sobey Art Award. He received his MFA from Concordia University in 2017 and was one of the Laureates for the 2017 REVEAL Indigenous Art Awards.
Assu’s artistic practice is diverse, spanning painting, sculpture, photography, digital art and printmaking. Sonny negotiates Western and Kwakwaka’wakw principles of art-making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada. His work is included in private and public collections including the National Gallery of Canada; Seattle Art Museum; Vancouver Art Gallery; Museum of Anthropology at UBC; Burke Museum at the University of Washington; Art Gallery of Greater Victoria; Hydro Quebec; and Lotto Quebec.
Sara Marie Ortiz is an Acoma Pueblo educator, scholar, poet, performance artist, and Native community advocate/activist. She earned her BFA in Creative Writing at the Institute of American Indian Arts and her MFA in Creative Nonfiction from Antioch University (Los Angeles). Ms. Ortiz has been publishing and presenting her creative work since the age of eighteen and her writing has been published in publications such as Ploughshares, the Kenyon Review, New Poets of the American West, the anthology Sing: Indigenous Poetry of the Americas, Indian Country Today and The American Indian Graduate among many others. She is the author of the mixed-genre collection Red Milk and currently serves as the Native Education Program Manager for Highline Public Schools in Burien, Washington.
Nicholas Galanin is a conceptual artist inspired by, and extending, generations of Tlingit creativity. His work strikes a balance between the traditions of his heritage and an incisive contemporary approach to manifesting ideas visually. Galanin studied at London Guildhall University, where he received a Bachelor of Fine Arts degree with honors in jewelry design and silversmithing. He earned a Master’s degree in indigenous visual arts from Massey University in New Zealand. He is also renowned for his musical performances as Indian Nick and Silver Jackson, and most recently within the three-member collaborative Indian Agent, along with musicians OC Notes and Zak Dylan Wass.
Thursday, December 6 7:00
– 8:30 pm
Makers of the Now: Nicholas Galanin
Pre-registration for this series has ended. Please see Single Ticket policy below for remaining lectures.
Tickets to individual lectures may be available the day of the lecture on a space-available basis. Standby is first-come, first-served, one hour prior to the lecture.
CREDIT AND CLOCK HOURS
Continuing-education credits and clock hours are available to educators through Seattle Pacific University (SPU). Payments for fees are paid directly to SPU on the first day of series. Do not include payment for fees with your registration. Lecture Series: $15 for five clock hours.
The Frye Art Museum reserves the right to cancel the lecture series. If the museum cancels the series, a full refund will be issued.
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Questions? email@example.com or 206 432 8200.