Tom Lloyd is organized by the Studio Museum in Harlem. Major support for Tom Lloyd provided by the Henry Luce Foundation. Additional support provided by the Holly Peterson Foundation and the Andy Warhol Foundation for the Visual Arts.

The Frye Art Museum's presentation is organized by Tamar Benzikry, Director and Curator of Learning and Engagement. Generous support provided by Dr. Vittorio Gallo, Exhibitions Circle supporters, and Frye members. Media sponsorship provided by Cascade PBS.

Lotus L. Kang: I hear the hollow boom of time is organized by Georgia Erger, Curator.

Generous support provided by Frye members. Media sponsorship provided by The Stranger.

Artists' Choice is curated by Adetola Abatan, Joseph Hernandez, Jake Prendez, Cedar Sigo, and Amaya Zhané, with support from Faith Brower, Director and Curator of Collections, and Alexis L. Silva, Curatorial Assistant.

Generous support provided by the City of Seattle Office of Arts & Culture and Frye Members.

Boren Banner Series: Chloe King is organized by Alexis L. Silva, Curatorial Assistant.

Generous support provided by Frye members. Media sponsorship provided by the International Examiner.

Image credit: Tom Lloyd. Clavero, 1968. Aluminum, light bulbs, plastic laminate. 34 x 43 x 5 in. Weatherspoon Art Museum, UNC Greensboro; gift of Howard Wise. Courtesy Studio Museum in Harlem. Photo: John Berens; Lotus L. Kang. Azaleas II, 2025. Powder coated steel, aluminum, stainless steel, 35mm film, stepper motor, relays, controllers, stage lights, cables, upholstered wood base, cast aluminum lotus root, cast bronze lotus root, nylon, cast aluminum book (In Praise of Shadows by Jun’ichirō Tanizaki), photograph of a mudflat, book (Autobiography of Death by Kim Hyesoon), thread, metallic twist ties, cast aluminum anchovy, cast bronze cabbage leaf, cast aluminum lotus tubers, plastic tangerines, tissue paper, spirits. Dimensions variable. Courtesy of the artist and 52 Walker, New York. Photo: Chase Barnes; Rockwell Kent. Resurrection Bay from Fox Island, 1918/1966. Oil on canvas on board. 28 x 44 1/2 in. Frye Art Museum, Museum Purchase, 1998.010. Rights courtesy of Plattsburgh State Art Museum, State University of New York, USA, Rockwell Kent Collection, Bequest of Sally Kent Gorton. All rights reserved; Chloe King. Dancing My Way to Drexciya, 2026. Acrylic and UV reactive pigment on canvas. 60 x 72 in. Courtesy of the artist