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Experience a selection of short films by Native North American contemporary artists, curated by filmmaker and An Indigenous Present featured artist Sky Hopinka (Ho-Chunk Nation/Pechanga Band of Luiseño Indians). 

The films are explore themes central to An Indigenous Present, including abstraction, transculturalism, and Indigenous creative practice, through a range of artistic perspectives and approaches.

“These are fleeting works, grounded in the land and in the ways these artists move through it. Through footsteps and memory, through the sounds of voices both present and past, through family and friendship, their gestures trace a continuity between what has been and what is yet to come. The impressions they leave recall the depressions of paths once walked in another life, now retraced toward another future. Each work is a site of remembrance and becoming—one that acknowledges how the act of moving through a place is also an act of shaping it. Together, these films carve their own marks on the landscape, blurring the boundaries of when and where they belong, and revealing the porous line between presence and absence, between what endures and what drifts away.”

—Sky Hopinka

Featured Films

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Fox Maxy, Gathering Dust, 2023

Gathering Dust creates connections between water, intergenerational care, and encroaching urban development. Like the film’s layered visuals, numerous sources converge to create the film’s soundscape. 

The film contemplates lessons exchanged between elders and youth, and the differences between generations, friction vs. flow, and the layers underneath Los Angeles.

Fox Maxy is a film director based in San Diego. She is Payómkawichum and Iipay Kumeyaay, from the Mesa Grande Band of Mission Indians. Her work explores themes of kinship, emotional well-being, nightlife, fashion, and environmental advocacy—using cinema as a lens to illuminate both intimate and collective experiences of contemporary life.

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Tyson Houseman, opwêyakatâmêw, 2024 

opwêyakatâmêw is a single-channel video/experimental short created from footage gathered near Gregg Lake, Alberta, Canada. Three nêhiyaw brothers take a walk on their traditional territory and through a forest they explored as children. They find an object eaten and gnawed by a beaver and imbued with animate energy. A voice over of their grandfather offers a teaching in their language, nêhiyawewin.

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Tyson Houseman is a nêhiyaw video artist, performer, and filmmaker from Paul First Nation. Tyson’s practice focuses on aspects of nêhiyaw ideologies and teachings—speaking to land-based notions of non-linear time and the interwoven relations between humans and their ecologies.

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This short experimental film centers on blood memory—how it is carried and ingrained in the land, the water, and the body itself. Through song, story, and movement, darylina awakens the past, present, and future as they coexist, weaving new and archival visuals with layered sound into a living remembrance.

darylina powderface is a multidisciplinary artist and storyteller from the Stoney Nakoda and Siksika Nation. Her work spans theater, film, photography, and movement, offering an influential exploration of indigenous identity and perspective. darylina investigates spatial and temporal realities through a Blackfoot and Nakoda lens, using her art to embody memory, knowledge, and lived experience.

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Svetlana Romanova, Hinkelten, 2023

Archival footage by Alexander Vasiliev. Music by MaksNemo.

Formulated in vignettes, hinkelten (a cold autumn night in Eveny language) is carefully woven out of renderings of contemporaneity. Following the narratives around the idea of love (romantic, platonic, intimate, and maternal), this film contemplates the forms of its visualization.

Svetlana Romanova (Sakha/Even) is an artist and filmmaker born in Yakutsk, the capital city of the Sakha Republic, Russia, located south of the Arctic Circle. Her practice centers on the importance of Indigenous visual language, particularly in the Arctic regions, and gravitates towards critical self-historization.