Vampyr (1932) Screening with live score by Lori Goldston
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Experience an evening of music, film, and unease as cellist Lori Goldston performs an original live score to Vampyr (1932), the legendary horror film by Danish filmmaker Carl Dreyer. Inspired by the cinematic storytelling and eerie, evocative imagery in Jamie Wyeth: Unsettled, Goldston’s music will amplify the film’s emotional tension and surreal atmosphere.
Dreyer’s interpretation of the classical vampire tale follows Allan Gray, a student of the occult, who arrives in a small French village only to find himself entangled in the plight of a family beset by unexplained illnesses, dark forces, and sinister living shadows. Reality and nightmare blur amidst chilling atmospheres and dense fogs.
Initially dismissed, Vampyr is now recognized as a uniquely haunting and influential treasure. As filmmaker Guillermo del Toro notes, “Vampyr is as close as you get to poetry in film. It’s truly a meditation on life and death and the beyond.”
This program is presented in partnership with the Grand Illusion Cinema.
About the artist

Classically trained and rigorously de-trained, possessor of a restless, semi-feral spirit, Lori Goldston is a cellist, composer, improvisor, producer, writer and teacher from Seattle. Her voice as a cellist, amplified or acoustic, is full, textured, committed and original. A relentless inquirer, her work drifts freely across borders that separate genre, discipline, time and geography.
Current and former collaborators and/or bosses include Earth, Nirvana, Mirah, Jessika Kenney, Ilan Volkov, Eyvind Kang, Stuart Dempster, David Byrne, Terry Riley, Jherek Bischoff, Malcom Goldstein, Steve Von Till, Lonnie Holley, Cat Power, Ellen Fullman, Maya Dunietz, Mik Quantius, Embryo, O Paon, Tara Jane O’Neil, Natacha Atlas, Broken Water, Ed Pias, Christian Rizzo and Sophie Laly, Threnody Ensemble, Cynthia Hopkins, 33 Fainting Spells, Vanessa Renwick, Mark Mitchell, Lynn Shelton, and many more.
Her work has been commissioned by and/or performed at the Kennedy Center, Sydney Festival, Cineteca Nacional de México, Tectonics Festival, Frye Art Museum, Time Based Art Festival (TBA), WNYC, The New Foundation, Paris Fashion Week, Northwest Film Forum, On the Boards, Seattle International Film Festival, Seattle Jewish Film Festival, Bumbershoot, Crossing Border Festival, Boston’s Museum of Fine Arts, Joe’s Pub, the Stone, University of Chicago, and venues large and small throughout North America, Mexico, Australia, and Europe.
The Grand Illusion Cinema is the only 100% volunteer-operated nonprofit cinema in the United States. The original theater opened in 1970 in a converted dentist’s office in the University District, and operated in the space continually until 2025, when it lost its lease. Currently, the cinema continues to present pop-up screenings at venues around Seattle, while actively seeking a new permanent home.
Over the decades, the Grand Illusion has presented literally thousands of cinema classics, rarities, genre favorites, and truly independent films from around the world. Its programming also regularly showcases films made by or about BIPOC, female & non-binary, LGBTQIA+, Native Americans, and other underrepresented communities.
Vampyr (1932) Screening with live score by Lori Goldston

Vampyr (1932, Denmark)
73 min. B&W
German with English subtitles.
September 4, 2025
6–7:30 pm
704 Terry Avenue
Seattle, WA 98104