Ground Floor: Von Coffin, DK Pan, Maria Phillips, and Amanda Manitach in Conversation

Ground Floor: Von Coffin, DK Pan, Maria Phillips, and Amanda Manitach in Conversation

Foraging through garbage, taking over roadside motels, and reimagining open space—learn how four local artists, Von Coffin, DK Pan, Maria Phillips, and Amanda Manitach, are pushing the boundaries of how art is made and experienced. In this conversation, moderated by Public Programs Manager Anna Buxton, the panelists will share how they’ve identified and reallocated resources in innovative ways, making the most of what’s available as space to create and exhibit work becomes increasingly scarce in the Seattle area. Hear their inspiring stories of experimentation, resourcefulness, and collaboration, revealing new possibilities for creative practice in our community. 

This talk is part of our annual Ground Floor conversation series that highlights artists who build creative spaces from the ground floor up. 

About the Panelists

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A person in a red flannel jacket and black hat resting their head on their hand with a blue and white artwork on the wall behind them
Photo: courtesy of the artist

Von Coffin lives in Redmond, Washington with their wife and two young children. Coffin received their MFA in painting and printmaking from Yale University (2016) and BFA from the School of the Art Institute of Chicago (2008). They run Coffin Farm, an experimental sculpture park on their family’s farm. They identify as nonbinary, transmasc, and use they/them pronouns. The experience of raising animals, working at grocery stores, and building museum display cases evolved directly into the objects, paintings, and food works that constitute their practice. These modes act to render painful experiences of psychosis and gender dysmorphia into, or onto, something else. Color is used as both symbol and signifier, triggering nostalgia through specific imitations of candy and other material.  

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A black and white photograph of a man with shoulder-length dark hair wearing a flannel shirt and a bandana around his neck
Photo: Daniel Carrillo

DK Pan is a Seattle-based artist who investigates the intersection of place and memory—exploring the interstices and histories of site, and the personal and collective body—through visual art, video, performance, public art, installation, interventions, and arts programming. They have organized art interventions/cultural events such as TUBS Memorial Project and Bridge Motel, and projects with Sound Transit Art Program and Seattle Housing Authority. Professionally, DK has worked for Plymouth Housing Group and Community Roots Housing over the past 10+ years to address homelessness and create affordable, vibrant communities in support of the maxim, ‘Housing is a Human Right’. Currently, DK is the community and property steward for Equinox Studios/Watershed Community Development - the largest arts community in the US.

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Woman with long blonde hair in a grey jacket standing on the beach with a plastic bag in her hand
Photo: courtesy of the artist

Maria Phillips is a Seattle-based artist, educator, and co-manager of the Recology King County Artist in Residence Program. Her work reimagines discarded materials, exploring cycles of consumption, accumulation, and renewal while challenging conventional notions of value and permanence. Phillips earned her BA in communication design from Loyola University in New Orleans and her MFA in visual art from the University of Washington in Seattle. In addition to her studio practice, she lectures, teaches, and serves as a guest critic at institutions nationwide. Her work is held in the collections of the Museum of Arts and Design in New York, the Renwick Gallery of the Smithsonian American Art Museum, the Tacoma Art Museum, Seattle University, the Rotassa Foundation, and the Museum of Fine Arts in Boston, among others. 

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Woman with short blonde and black dress hair sitting on a red/orange chaise lounge chair with an artwork handing on the wall behind her
Photo: James Harnois

Amanda Manitach is a Seattle-based multidisciplinary artist, writer, and curator whose work explores the power and plasticity of language through large-scale drawings, installations, and text-based works. Blurring the boundaries between word and image, her practice channels desire, endurance, and resistance in hand-rendered compositions. Over the past two decades, she has exhibited widely across the Pacific Northwest, including the Frye, Bellevue Arts Museum, and Tacoma Art Museum. Beyond the studio, Manitach has worked extensively in journalism and publishing, serving as Visual Arts Editor at City Arts Magazine and Editor of Public Display Art. She co-founded and contributed to several artist-run spaces and her curatorial work spans both DIY and institutional contexts, including three years as Curator of Seattle University’s Hedreen Gallery (2013–2015). Following a residency at Recology King County in 2023, Manitach joined as a manager of its Artist in Residence program. 

Ground Floor: Von Coffin, DK Pan, Maria Phillips, and Amanda Manitach in Conversation

A four part composite image of four headshot portrait photographs of artists.

Clockwise from top left: DK Pan. Photo: Daniel Carrillo; Von Coffin. Photo: courtesy of the artist; Amanda Manitach. Photo: James Harnois; Maria Phillips. Photo: courtesy of the artist

December 11

6:30–8 pm

Frye Art Museum
704 Terry Avenue
Seattle, WA 98104

Registration

Tickets are free, but capacity is limited. Up to two tickets per person may be reserved prior to the program. Preregistration will close at 11:59 pm PT the night prior to the program. Parking can be an issue in our area, so please plan your visit accordingly. All unclaimed tickets (regardless of reservations) will be released to standby 10 minutes before the program.   

Frye Members receive advance notice of programs and performances—become a member today and get the benefit of early registration! 

Confirmation
Registration is confirmed by email.

On-site Ticketing Policy
Doors will open 30 minutes prior to the event and preregistered guests can check in at that time. If the program is sold out, walk-ins will be able to join a standby list on a first-come-first-served basis. Unclaimed tickets (regardless of registration) will be released to standby 10 minutes prior to the start of the program. Preregistered guests should arrive early to secure their tickets. 

Ticket Limit
8
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