The Frye Art Museum’s substantial collection of works by artists of the Pacific Northwest reflects the museum’s transformation from a personal selection of late-nineteenth and early-twentieth-century—predominantly European—oil paintings to a museum dedicated to creative practice in its myriad forms. Since opening in 1952 to the present day, the museum has remained steadfast in exhibiting and collecting artworks by contemporary artists, especially those living and practicing in the city of Seattle and surrounding region.
Walser Sly Greathouse, executor of the Frye estate and founding director of the museum, ensured that Charles and Emma Frye's vision for a free, public art museum for the people of Seattle was brought to life. Beginning in 1952, Greathouse was the first of six directors who expanded the museum’s collection, acquiring new works to enliven and contextualize the paintings bequeathed by the Fryes. Subsequent leaders sustained the museum’s legacy within the evolving identity of the Pacific Northwest through the ongoing collection and exhibition of works by artists of the region—from Washington and Oregon up to Alaska. The museum’s extensive holdings of Alaskan art were initially assembled by the second director, Ida Kay Greathouse. Between 1969 and 1993, she acquired over 125 paintings and works on paper. Subsequent Frye directors Richard V. West, Midge Bowman, and Jo-Anne Birnie Danzker added 175 more works by artists associated with the northernmost state.
Highlights of the Pacific Northwest holdings range from twentieth-century Alaskan landscapes by artists such as Sydney Laurence and Eustace Paul Ziegler, to evocative works by contemporary artists and artist collectives across a broad range of mediums, including Juventino Aranda, the Black Constellation, Alison Bremner, Degenerate Art Ensemble, Ellen Lesperance, Jeffry Mitchell, Buster Simpson, and Ko Kirk Yamahira, among others.
The Founding Collection reflects the distinctive vision of museum founders Charles and Emma Frye and celebrates late-nineteenth and early-twentieth-century European and American art. The children of German immigrants, the Fryes became prominent business leaders and patrons of the arts after settling in Seattle in 1888. Their collection of 232 oil paintings, almost half of which features German artists, was formed during the years around 1900.
Charles and Emma Frye developed their passion for art at the Columbian Exposition, a world's fair held in Chicago in 1893. The experience had a great influence on the painterly subjects and artists the couple would collect in years to come. Over the next four decades, the Fryes acquired paintings while traveling abroad in Europe and from auctions, most notably those of American collections formed by Hugo Reisinger and Josef Stránský.
The Fryes famously hung their paintings floor to ceiling, salon style, in a specially built gallery space attached to their home on First Hill. Beyond Germany, the Fryes collected works by artists from Austria, Denmark, England, France, Hungary, Italy, the Netherlands, Norway, Russia, and the United States.
Highlights include works by two generations of artists from Munich—those of the Münchener Künstlergenossenschaft (Munich Artist’s Association) such as Franz von Defregger, Franz von Lenbach, Wilhelm Leibl, and Friedrich August von Kaulbach—and artists who formed the Munich Secession including Ludwig Dill, Hugo von Habermann, Otto Hierl-Deronco, Franz von Stuck, Wilhelm Trübner, Fritz von Uhde, and Heinrich von Zügel. Other notable works include paintings by Eugène Boudin, William-Adolphe Bouguereau, Lillian Genth, Gabriel von Max, and Mihály de Munkácsy.
The Founding Collection continues to serve as a catalyst for artistic inquiry at the Frye Art Museum in exhibitions that reframe its works and history through a lens of contemporary scholarship.
